{"id":185,"date":"2018-07-20T14:47:25","date_gmt":"2018-07-20T14:47:25","guid":{"rendered":"http:\/\/merles.ca\/?page_id=185"},"modified":"2018-11-06T20:40:39","modified_gmt":"2018-11-06T20:40:39","slug":"signatura-rerum","status":"publish","type":"page","link":"http:\/\/merles.ca\/?page_id=185","title":{"rendered":"Signatura Rerum"},"content":{"rendered":"

[vc_row full_width=””][vc_column width=”1\/3″][vc_single_image image=”186″ border_color=”grey” img_link_large=”” img_link_target=”_self” img_size=”full” link=”http:\/\/www.cdbaby.com\/cd\/ilostthefish2″][\/vc_column][vc_column width=”1\/3″][vc_column_text]Signatura Rerum<\/em>
\n<\/em><\/span><\/p>\n

Musique contemporaine pour orgue \u00e0 tuyaux, enregistr\u00e9e sur le superbe instrument Casavant du Palais Montcalm, Qu\u00e9bec.<\/p>\n

J’ai compos\u00e9 pour le Disklavier \u2014un piano automatisable\u2014 depuis pr\u00e8s de deux d\u00e9cennies, mais je n’ai d\u00e9couvert que r\u00e9cemment que je pouvais utiliser la m\u00eame approche avec plusieurs orgues \u00e0 tuyaux. Au d\u00e9but de mes explorations, j’\u00e9tais surtout int\u00e9ress\u00e9 \u00e0 faire appara\u00eetre l’aspect humain de l’interpr\u00e9tation en le contrastant avec l’automatisation, mais avec les ann\u00e9es j’en suis venu \u00e0 appr\u00e9cier autant l’impr\u00e9cision humaine que la pr\u00e9cision informatique. Ou n’est-ce pas plut\u00f4t l’inverse ?<\/p>\n

Les deux aspects sont donc pr\u00e9sents dans ces nouvelles compositions enregistr\u00e9es en juin 2018 au Palais Montcalm, \u00e0 Qu\u00e9bec.<\/p>\n

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T\u00e9l\u00e9charger \/ Download<\/a><\/p>\n

Acheter le cd \/ To buy the cd<\/a>[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_column_text]Signatura Rerum<\/em>
\n<\/em><\/span><\/p>\n

Contemporary music for pipe organ, recorded on the wonderful Casavant instrument at Palais Montcalm, Quebec.<\/p>\n

I have been writing music for the Disklavier \u2014an automated piano\u2014 for about two decades, but I discovered only recently that I could play many pipe organs in the same way. At first i was very interested in bringing to the ears the human aspect of the performance through the contrasting use of computer automation, but with the years I came to enjoy both the human feel and the mechanical precision. Or isn’t it the opposite ?<\/p>\n

These pieces blend both aspects in new compositions that have been recorded June 2018 at the Palais Montcalm, in Quebec City.<\/p>\n

 <\/p>\n

T\u00e9l\u00e9charger \/ Download<\/a><\/p>\n

Acheter le cd \/ To buy the cd<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_column_text]A few years ago (hence the gap perhaps?) he discovered\u00a0 “the new Casavant instrument of the Palais Montcalm in Quebec” and started to play with it in conjunction with computer automation, slowly blending the human touch and the mechanical precision together. That last bit I read on the<\/em>
\n information, as I didn’t hear that sort of computer automation in these pieces. It all sounded like a pipe organ being played and nothing much else. But then so I was wrong I guess and it made me wonder what that computer did. There are eight pieces on this CD and it’s all quite normal pieces of pipe organ on the surface but if you listen closely odd little things can be noted, strange intervals, odd repetitions and such like, along with some wonderful melodic pieces, such as ‘Rose Et Jaune Et Vert’.<\/em><\/p>\n

Vital Weekly 1153<\/a><\/em>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row full_width=””][vc_column width=”1\/3″][vc_single_image image=”186″ border_color=”grey” img_link_large=”” img_link_target=”_self” img_size=”full” link=”http:\/\/www.cdbaby.com\/cd\/ilostthefish2″][\/vc_column][vc_column width=”1\/3″][vc_column_text]Signatura Rerum Musique contemporaine pour orgue \u00e0 tuyaux, enregistr\u00e9e sur le superbe instrument Casavant du Palais Montcalm, Qu\u00e9bec. J’ai compos\u00e9 pour le Disklavier \u2014un piano automatisable\u2014 depuis pr\u00e8s de deux d\u00e9cennies, mais je n’ai d\u00e9couvert que r\u00e9cemment que je pouvais utiliser la m\u00eame approche avec plusieurs … Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":47,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/merles.ca\/index.php?rest_route=\/wp\/v2\/pages\/185"}],"collection":[{"href":"http:\/\/merles.ca\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/merles.ca\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/merles.ca\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/merles.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=185"}],"version-history":[{"count":5,"href":"http:\/\/merles.ca\/index.php?rest_route=\/wp\/v2\/pages\/185\/revisions"}],"predecessor-version":[{"id":197,"href":"http:\/\/merles.ca\/index.php?rest_route=\/wp\/v2\/pages\/185\/revisions\/197"}],"up":[{"embeddable":true,"href":"http:\/\/merles.ca\/index.php?rest_route=\/wp\/v2\/pages\/47"}],"wp:attachment":[{"href":"http:\/\/merles.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}